Volume 4, 2009
Contents
Animation (Theory) as the Poematic: A Reply to the Cognitivists
by Alan Cholodenko
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Using chronophotography to replace Persistence of Vision as a theory for explaining how animation and cinema produce the illusion of continuous motion
by Paul St. George
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Revolutionary cels: The Sydney waterfront, Harry Reade and Cuban animation
by Max Bannah
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To Be or Not to Be: The Controversy in Japan over the “Anime” Label
by Sheuo Hui Gan
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Kinesic constructions: An aesthetic analysis of movement and performance in 3D animation
by Adam de Beer
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Complete Volume
The complete volume is available for download as PDF here.
