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Articles
- Volume 8
- Volume 7
- Volume 6
- Yen-Jung Chang – Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
- Aimee Mollaghan – "An Experiment in Pure Design:" The Minimalist Aesthetic in the Line Films of Norman McLaren
- Colleen Montgomery – Woody's Roundup and Wall-E's Wunderkammer
- Hannes Rall – Tradigital Mythmaking: New Asian Design Ideas for Animation
- Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
- Maria O’Brien – The Secret of Kells (2009), a film for a post Celtic Tiger Ireland?
- Nea Ehrlich – Animated Documentaries as Masking
- Pierre Floquet – Actors in Sin City’s Animated Fantasy
- Samantha Moore – Animating unique brain states
- Shannon Brownlee – Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
- Sheuo Hui Gan – The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
- Volume 5
- Volume 4
- Volume 3
- Alan Cholodenko – The Spectre in the Screen
- Amy Ratelle – Half-breed Dog, Half-breed Film
- Birgitta Hosea – TV 2.0
- Laura Ivins-Hulley – The Ontology of Performance in Sto
- Lynne Perras – Steadier, happier, and quicker at the wo
- María Lorenzo Hernández – Visions of a Future Past
- Sheuo Hui Gan – The Newly Developed Form of Ganime
- Timo Linsenmaier – Why animation historiography?
- Van Norris – Taking an Appropriate Line
- Animated Dialogues
- Cathryn Vasseleu – The Svankmajer Touch
- Cordelia Brown – Flowerpot Men
- Dan & Lienors Torre – Recording Australian Animatio
- Dirk de Bruyn – Performing a Traumatic Effect
- Katharine Buljan – The Uncanny and the Robot in the Ast
- Matthew Butler & Lucie Joschko – Final Fantasy or T
- Michael Broderick – Superflat Eschatology
- Miriam Harris – How Michaela Pavlatova both incorporate
- Paul Wells – Battlefields for the Undead
- Peter Moyes – Behind the Flash Exterior
- Zhi-Ming Su – Reaching Out to Touch
- Adrian Martin – In the Sand a Line is Drawn
- Alan Cholodenko – (The) Death (of) the Animator, or: th
- Amanda Third & Dirk de Bruyn – An Animated Dialogue
- Andrew Buchanan – Facial Expressions for Empathic Commu
- Volume 2
- Alan Cholodenko – (The) Death (of) the Animator, or: Th
- Caroline Ruddell – Breaking Boundaries
- Gunnar Strøm – The Two Golden Ages of Animated M
- Leslie Bishko – The Uses and Abuses of Cartoon Style in
- Maria Lorenzo Hernandez – The Double Sense of Animated
- Pamela Turner – Early Connections Between Film and Emer
- Tom Klein – Animated Appeal
- Volume 1
Category Archives: Tom Klein – Animated Appeal
Tom Klein – Animated Appeal: A Survey of Production Methods in Children’s Software
Introduction The graphical style of children’s software has often strongly resembled that of traditional cel animation, yet the requirements for implementing graphics into computer games necessitated changes in the working practices of animators. In some of the earliest videogames for … Continue reading