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  » Volume 4, 2009
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• Articles

  • Volume 6
    • Yen-Jung Chang – Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
    • Nea Ehrlich – Animated Documentaries as Masking
    • Sheuo Hui Gan – The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
    • Samantha Moore – Animating unique brain states
    • Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
    • Shannon Brownlee – Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
    • Maria O’Brien – The Secret of Kells (2009), a film for a post Celtic Tiger Ireland?
    • Aimee Mollaghan – "An Experiment in Pure Design:" The Minimalist Aesthetic in the Line Films of Norman McLaren
    • Hannes Rall – Tradigital Mythmaking: New Asian Design Ideas for Animation
    • Colleen Montgomery – Woody's Roundup and Wall-E's Wunderkammer
    • Pierre Floquet – Actors in Sin City’s Animated Fantasy
  • Volume 5
    • Van Norris – Touching cloth
    • Alison Loader – We're Asian, More Expected of Us
    • Meg Rickards – Uncanny breaches, flimsy borders
    • María Lorenzo Hernández – Through the Looking-Glass
    • Michael S. Daubs – Subversive or Submissive?
  • Volume 4
    • Adam de Beer – Kinesic constructions: An aesthetic ana
    • Sheuo Hui Gan – To Be or Not to Be – Anime: The Controv
    • Max Bannah – Revolutionary cels: The Sydney waterfront,
    • Paul St. George – Using chronophotography to replace Pe
    • Alan Cholodenko – Animation (Theory) as the Poematic
  • Volume 3
    • Van Norris – Taking an Appropriate Line
    • Laura Ivins-Hulley – The Ontology of Performance in Sto
    • Alan Cholodenko – The Spectre in the Screen
    • Timo Linsenmaier – Why animation historiography?
    • María Lorenzo Hernández – Visions of a Future Past
    • Birgitta Hosea – TV 2.0
    • Lynne Perras – Steadier, happier, and quicker at the wo
    • Sheuo Hui Gan – The Newly Developed Form of Ganime
    • Amy Ratelle – Half-breed Dog, Half-breed Film
  • Animated Dialogues
    • Amanda Third & Dirk de Bruyn – An Animated Dialogue
    • Paul Wells – Battlefields for the Undead
    • Adrian Martin – In the Sand a Line is Drawn
    • Alan Cholodenko – (The) Death (of) the Animator, or: th
    • Dirk de Bruyn – Performing a Traumatic Effect
    • Michael Broderick – Superflat Eschatology
    • Katharine Buljan – The Uncanny and the Robot in the Ast
    • Matthew Butler & Lucie Joschko – Final Fantasy or T
    • Cordelia Brown – Flowerpot Men
    • Andrew Buchanan – Facial Expressions for Empathic Commu
    • Peter Moyes – Behind the Flash Exterior
    • Cathryn Vasseleu – The Svankmajer Touch
    • Miriam Harris – How Michaela Pavlatova both incorporate
    • Zhi-Ming Su – Reaching Out to Touch
    • Dan & Lienors Torre – Recording Australian Animatio
  • Volume 2
    • Gunnar Strøm – The Two Golden Ages of Animated M
    • Pamela Turner – Early Connections Between Film and Emer
    • Maria Lorenzo Hernandez – The Double Sense of Animated
    • Leslie Bishko – The Uses and Abuses of Cartoon Style in
    • Caroline Ruddell – Breaking Boundaries
    • Alan Cholodenko – (The) Death (of) the Animator, or: Th
    • Tom Klein – Animated Appeal
  • Volume 1
    • Pierre Floquet – What is (not) so French in Les Triplet
    • Marina Estela Graça – Cinematic Motion by Hand

© Society for Animation Studies 2012