Editors
Editor
Nichola Dobson
Independent Scholar, Edinburgh
Managing Editor & Webmaster
Timo Linsenmaier
Staatliche Hochschule für Gestaltung Karlsruhe
Navigation
Latest Volume
Articles
- Volume 4
- Volume 3
- Van Norris - Taking an Appropriate Line
- Laura Ivins-Hulley - The Ontology of Performance in Sto
- Alan Cholodenko - The Spectre in the Screen
- Timo Linsenmaier - Why animation historiography?
- María Lorenzo Hernández - Visions of a Future Past
- Birgitta Hosea - TV 2.0
- Lynne Perras - Steadier, happier, and quicker at the wo
- Sheuo Hui Gan - The Newly Developed Form of Ganime
- Amy Ratelle - Half-breed Dog, Half-breed Film
- Animated Dialogues
- Amanda Third & Dirk de Bruyn - An Animated Dialogue
- Paul Wells - Battlefields for the Undead
- Adrian Martin - In the Sand a Line is Drawn
- Alan Cholodenko - (The) Death (of) the Animator, or: th
- Dirk de Bruyn - Performing a Traumatic Effect
- Michael Broderick - Superflat Eschatology
- Katharine Buljan - The Uncanny and the Robot in the Ast
- Matthew Butler & Lucie Joschko - Final Fantasy or T
- Cordelia Brown - Flowerpot Men
- Andrew Buchanan - Facial Expressions for Empathic Commu
- Peter Moyes - Behind the Flash Exterior
- Cathryn Vasseleu - The Svankmajer Touch
- Miriam Harris - How Michaela Pavlatova both incorporate
- Zhi-Ming Su - Reaching Out to Touch
- Dan & Lienors Torre - Recording Australian Animatio
- Volume 2
- Gunnar Strøm - The Two Golden Ages of Animated M
- Pamela Turner - Early Connections Between Film and Emer
- Maria Lorenzo Hernandez - The Double Sense of Animated
- Leslie Bishko - The Uses and Abuses of Cartoon Style in
- Caroline Ruddell - Breaking Boundaries
- Alan Cholodenko - (The) Death (of) the Animator, or: Th
- Tom Klein - Animated Appeal
- Volume 1
