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Volume 4, 2009
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Articles
Volume 5
Van Norris - Touching cloth
Volume 4
Adam de Beer - Kinesic constructions: An aesthetic ana
Sheuo Hui Gan - To Be or Not to Be - Anime: The Controv
Max Bannah - Revolutionary cels: The Sydney waterfront,
Paul St. George - Using chronophotography to replace Pe
Alan Cholodenko - Animation (Theory) as the Poematic
Volume 3
Van Norris - Taking an Appropriate Line
Laura Ivins-Hulley - The Ontology of Performance in Sto
Alan Cholodenko - The Spectre in the Screen
Timo Linsenmaier - Why animation historiography?
María Lorenzo Hernández - Visions of a Future Past
Birgitta Hosea - TV 2.0
Lynne Perras - Steadier, happier, and quicker at the wo
Sheuo Hui Gan - The Newly Developed Form of Ganime
Amy Ratelle - Half-breed Dog, Half-breed Film
Animated Dialogues
Amanda Third & Dirk de Bruyn - An Animated Dialogue
Paul Wells - Battlefields for the Undead
Adrian Martin - In the Sand a Line is Drawn
Alan Cholodenko - (The) Death (of) the Animator, or: th
Dirk de Bruyn - Performing a Traumatic Effect
Michael Broderick - Superflat Eschatology
Katharine Buljan - The Uncanny and the Robot in the Ast
Matthew Butler & Lucie Joschko - Final Fantasy or T
Cordelia Brown - Flowerpot Men
Andrew Buchanan - Facial Expressions for Empathic Commu
Peter Moyes - Behind the Flash Exterior
Cathryn Vasseleu - The Svankmajer Touch
Miriam Harris - How Michaela Pavlatova both incorporate
Zhi-Ming Su - Reaching Out to Touch
Dan & Lienors Torre - Recording Australian Animatio
Volume 2
Gunnar Strøm - The Two Golden Ages of Animated M
Pamela Turner - Early Connections Between Film and Emer
Maria Lorenzo Hernandez - The Double Sense of Animated
Leslie Bishko - The Uses and Abuses of Cartoon Style in
Caroline Ruddell - Breaking Boundaries
Alan Cholodenko - (The) Death (of) the Animator, or: Th
Tom Klein - Animated Appeal
Volume 1
Pierre Floquet - What is (not) so French in Les Triplet
Marina Estela Graça - Cinematic Motion by Hand