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Volume 4, 2009
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Articles
Volume 6
Yen-Jung Chang – Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
Nea Ehrlich – Animated Documentaries as Masking
Sheuo Hui Gan – The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
Samantha Moore – Animating unique brain states
Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
Shannon Brownlee – Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
Maria O’Brien – The Secret of Kells (2009), a film for a post Celtic Tiger Ireland?
Aimee Mollaghan – "An Experiment in Pure Design:" The Minimalist Aesthetic in the Line Films of Norman McLaren
Hannes Rall – Tradigital Mythmaking: New Asian Design Ideas for Animation
Colleen Montgomery – Woody's Roundup and Wall-E's Wunderkammer
Pierre Floquet – Actors in Sin City’s Animated Fantasy
Volume 5
Van Norris – Touching cloth
Alison Loader – We're Asian, More Expected of Us
Meg Rickards – Uncanny breaches, flimsy borders
María Lorenzo Hernández – Through the Looking-Glass
Michael S. Daubs – Subversive or Submissive?
Volume 4
Adam de Beer – Kinesic constructions: An aesthetic ana
Sheuo Hui Gan – To Be or Not to Be – Anime: The Controv
Max Bannah – Revolutionary cels: The Sydney waterfront,
Paul St. George – Using chronophotography to replace Pe
Alan Cholodenko – Animation (Theory) as the Poematic
Volume 3
Van Norris – Taking an Appropriate Line
Laura Ivins-Hulley – The Ontology of Performance in Sto
Alan Cholodenko – The Spectre in the Screen
Timo Linsenmaier – Why animation historiography?
María Lorenzo Hernández – Visions of a Future Past
Birgitta Hosea – TV 2.0
Lynne Perras – Steadier, happier, and quicker at the wo
Sheuo Hui Gan – The Newly Developed Form of Ganime
Amy Ratelle – Half-breed Dog, Half-breed Film
Animated Dialogues
Amanda Third & Dirk de Bruyn – An Animated Dialogue
Paul Wells – Battlefields for the Undead
Adrian Martin – In the Sand a Line is Drawn
Alan Cholodenko – (The) Death (of) the Animator, or: th
Dirk de Bruyn – Performing a Traumatic Effect
Michael Broderick – Superflat Eschatology
Katharine Buljan – The Uncanny and the Robot in the Ast
Matthew Butler & Lucie Joschko – Final Fantasy or T
Cordelia Brown – Flowerpot Men
Andrew Buchanan – Facial Expressions for Empathic Commu
Peter Moyes – Behind the Flash Exterior
Cathryn Vasseleu – The Svankmajer Touch
Miriam Harris – How Michaela Pavlatova both incorporate
Zhi-Ming Su – Reaching Out to Touch
Dan & Lienors Torre – Recording Australian Animatio
Volume 2
Gunnar Strøm – The Two Golden Ages of Animated M
Pamela Turner – Early Connections Between Film and Emer
Maria Lorenzo Hernandez – The Double Sense of Animated
Leslie Bishko – The Uses and Abuses of Cartoon Style in
Caroline Ruddell – Breaking Boundaries
Alan Cholodenko – (The) Death (of) the Animator, or: Th
Tom Klein – Animated Appeal
Volume 1
Pierre Floquet – What is (not) so French in Les Triplet
Marina Estela Graça – Cinematic Motion by Hand