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  • Latest Volume

      » Volume 4, 2009
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  • Articles

    • Volume 6
      • Yen-Jung Chang – Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
      • Nea Ehrlich – Animated Documentaries as Masking
      • Sheuo Hui Gan – The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
      • Samantha Moore – Animating unique brain states
      • Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
      • Shannon Brownlee – Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
      • Maria O’Brien – The Secret of Kells (2009), a film for a post Celtic Tiger Ireland?
      • Aimee Mollaghan – "An Experiment in Pure Design:" The Minimalist Aesthetic in the Line Films of Norman McLaren
      • Hannes Rall – Tradigital Mythmaking: New Asian Design Ideas for Animation
      • Colleen Montgomery – Woody's Roundup and Wall-E's Wunderkammer
      • Pierre Floquet – Actors in Sin City’s Animated Fantasy
    • Volume 5
      • Van Norris – Touching cloth
      • Alison Loader – We're Asian, More Expected of Us
      • Meg Rickards – Uncanny breaches, flimsy borders
      • María Lorenzo Hernández – Through the Looking-Glass
      • Michael S. Daubs – Subversive or Submissive?
    • Volume 4
      • Adam de Beer – Kinesic constructions: An aesthetic ana
      • Sheuo Hui Gan – To Be or Not to Be – Anime: The Controv
      • Max Bannah – Revolutionary cels: The Sydney waterfront,
      • Paul St. George – Using chronophotography to replace Pe
      • Alan Cholodenko – Animation (Theory) as the Poematic
    • Volume 3
      • Van Norris – Taking an Appropriate Line
      • Laura Ivins-Hulley – The Ontology of Performance in Sto
      • Alan Cholodenko – The Spectre in the Screen
      • Timo Linsenmaier – Why animation historiography?
      • María Lorenzo Hernández – Visions of a Future Past
      • Birgitta Hosea – TV 2.0
      • Lynne Perras – Steadier, happier, and quicker at the wo
      • Sheuo Hui Gan – The Newly Developed Form of Ganime
      • Amy Ratelle – Half-breed Dog, Half-breed Film
    • Animated Dialogues
      • Amanda Third & Dirk de Bruyn – An Animated Dialogue
      • Paul Wells – Battlefields for the Undead
      • Adrian Martin – In the Sand a Line is Drawn
      • Alan Cholodenko – (The) Death (of) the Animator, or: th
      • Dirk de Bruyn – Performing a Traumatic Effect
      • Michael Broderick – Superflat Eschatology
      • Katharine Buljan – The Uncanny and the Robot in the Ast
      • Matthew Butler & Lucie Joschko – Final Fantasy or T
      • Cordelia Brown – Flowerpot Men
      • Andrew Buchanan – Facial Expressions for Empathic Commu
      • Peter Moyes – Behind the Flash Exterior
      • Cathryn Vasseleu – The Svankmajer Touch
      • Miriam Harris – How Michaela Pavlatova both incorporate
      • Zhi-Ming Su – Reaching Out to Touch
      • Dan & Lienors Torre – Recording Australian Animatio
    • Volume 2
      • Gunnar Strøm – The Two Golden Ages of Animated M
      • Pamela Turner – Early Connections Between Film and Emer
      • Maria Lorenzo Hernandez – The Double Sense of Animated
      • Leslie Bishko – The Uses and Abuses of Cartoon Style in
      • Caroline Ruddell – Breaking Boundaries
      • Alan Cholodenko – (The) Death (of) the Animator, or: Th
      • Tom Klein – Animated Appeal
    • Volume 1
      • Pierre Floquet – What is (not) so French in Les Triplet
      • Marina Estela Graça – Cinematic Motion by Hand

© Society for Animation Studies 2012