Category Archives: James Frost – Jan Švankmajer: Film as Puppet Theatre

James Frost – Jan Švankmajer: Film as Puppet Theatre




This paper considers the films of the Czech Surrealist Jan Švankmajer (b.1934) from the perspective of puppetry[1]. The majority of his films involve stop-motion animation[2], usually combined with live action. He often uses puppets, as both live action effects (e.g. … Continue reading

Posted in James Frost - Jan Švankmajer: Film as Puppet Theatre, Volume 11 | Tagged , , | 1 Comment