Kristian Jared Robinson – Between a “Rock” and a Hard Place: The Hybridization of Analog and Digital in The Iron Giant

Introduction In his thought-provoking, seminal text Animating Space: From Mickey to Wall-E (2010), J.P. Telotte highlights that the hybridized animated film signifies a fascinating sub-discipline of animation studies that has thus far gone under-researched. Utilizing the case study of Robert Zemeckis’s Who Framed Roger Rabbit (1988), Telotte makes the argument that traditional hand-drawn animation was […]