Anastasiia Gushchina – Towards a Materialist Theory of Animated Documentary
Introduction In the last two decades, cinema scholars have noted the proliferation of documentary animation – a film genre that blends factual content with a fictional form and frequently aims to show ‘unrepresentable’ human experiences (Formenti 1; Honess Roe, Animated Documentary 22-26). I would like to acknowledge that this definition is quite broad, and it […]