Navigation
Articles
- Volume 11
- Peter Moyes & Louise Harvey – She’s Not There: When New Illusions Meet Ol’ Time RealTtime; Mo-cap, Virtuality and Live Music Performance
- Ellen Rocha – Beyond Materiality in Animation: Sensuous Perception and Touch in the Tactile Existence of "Would a Heart Die?"
- Jacqueline Ristola – Recreating Reality: Waltz With Bashir, Persepolis, and the Documentary Genre
- Dirk de Bruyn – Re-processing The Mystical Rose
- James Frost – Jan Švankmajer: Film as Puppet Theatre
- Andi Spark – Pursuing the Animatrix: Musings on Defining a Term to Describe Woman-Centered Animation
- Karen Kriss – Tactility and the Changing Close-up
- Timothy Jones – Rhythm to Reliance: The Globalized Discourse of Indian Animation
- Sophie Mobbs – Intimate Scrutiny: Using Rotoscoping to Unravel the Auteur-Animator Beneath the Theory
- Alan Cholodenko – The Expanding Universe of Animation (Studies)
- Cinzia Bottini – The Orchestration of Emotions in Jerzy Kucia’s Animation
- Rachel Walls – Abstract Inclusion
- Pedro Serrazina – Spatial constructions: A practitioner’s view of animated space
- Jane Batkin – Rethinking the Rabbit: Revolution, Identity and Connection in Looney Tunes
- Volume 10
- Alan Cholodenko – The Animator as Artist, The Artist as Animator
- Kay Kane – Animation as Conservation: Classical Values in Contemporary Practice
- João Paulo Amaral Schlittler – Motion Graphics and Animation
- Beatriz Herráiz Zornoza – Dot: Animation in theatre for children
- Samantha Haggart – Nature and Technological Innovation in the Films of Iurii Norshtein
- Terence Dobson – Norman McLaren Beyond 100
- Nichola Dobson – Dancing to rhythm of the music: Norman McLaren, the body and performance
- Volume 9
- Victoria Grace Walden – Animation: Textual Difference and the Materiality of Holocaust Memory
- Alison Loader – Re:Animating Moths
- Raz Greenberg – Animating, Ani-Morphing and Un-ani-morphing of the Evolutionary Process in Carl Sagan’s Cosmos
- Daisuke Akimoto – A Pig, the State, and War: Porco Rosso
- Steve Fore – Waliczky in Wonderland: The Adventures of Tom Tomiczky in the Realm of Machinic Vision and Bodily Engagement
- Chris Carter – Digital Beings: An Opportunity for Australian Visual Effects
- Kirsten Thompson – "Quick–Like a Bunny!" The Ink and Paint Machine, Female Labor and Color Production
- Volume 8
- Dietmar Meinel – "Space: The Final Fun‐tier” – Returning Home to the Frontier in Pixar’s WALL‐E
- Brad Yarhouse – Animation in the street: The seductive silence of Blu
- Heather L. Holian – Art, Animation and the Collaborative Process
- Jane Shadbolt – Parallel Synchronised Randomness: Stop-motion Animation in Live Action Feature Films
- Volume 7
- Volume 6
- Yen-Jung Chang – Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
- Aimee Mollaghan – "An Experiment in Pure Design:" The Minimalist Aesthetic in the Line Films of Norman McLaren
- Colleen Montgomery – Woody's Roundup and Wall-E's Wunderkammer
- Hannes Rall – Tradigital Mythmaking: New Asian Design Ideas for Animation
- Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
- Maria O’Brien – The Secret of Kells (2009), a film for a post Celtic Tiger Ireland?
- Nea Ehrlich – Animated Documentaries as Masking
- Pierre Floquet – Actors in Sin City’s Animated Fantasy
- Samantha Moore – Animating unique brain states
- Shannon Brownlee – Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
- Sheuo Hui Gan – The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
- Volume 5
- Volume 4
- Volume 3
- Alan Cholodenko – The Spectre in the Screen
- Amy Ratelle – Half-breed Dog, Half-breed Film
- Birgitta Hosea – TV 2.0
- Laura Ivins-Hulley – The Ontology of Performance in Sto
- Lynne Perras – Steadier, happier, and quicker at the wo
- María Lorenzo Hernández – Visions of a Future Past
- Sheuo Hui Gan – The Newly Developed Form of Ganime
- Timo Linsenmaier – Why animation historiography?
- Van Norris – Taking an Appropriate Line
- Animated Dialogues
- Cathryn Vasseleu – The Svankmajer Touch
- Cordelia Brown – Flowerpot Men
- Dan & Lienors Torre – Recording Australian Animatio
- Dirk de Bruyn – Performing a Traumatic Effect
- Katharine Buljan – The Uncanny and the Robot in the Ast
- Matthew Butler & Lucie Joschko – Final Fantasy or T
- Michael Broderick – Superflat Eschatology
- Miriam Harris – How Michaela Pavlatova both incorporate
- Paul Wells – Battlefields for the Undead
- Peter Moyes – Behind the Flash Exterior
- Zhi-Ming Su – Reaching Out to Touch
- Adrian Martin – In the Sand a Line is Drawn
- Alan Cholodenko – (The) Death (of) the Animator, or: th
- Amanda Third & Dirk de Bruyn – An Animated Dialogue
- Andrew Buchanan – Facial Expressions for Empathic Commu
- Volume 2
- Alan Cholodenko – (The) Death (of) the Animator, or: Th
- Caroline Ruddell – Breaking Boundaries
- Gunnar Strøm – The Two Golden Ages of Animated M
- Leslie Bishko – The Uses and Abuses of Cartoon Style in
- Maria Lorenzo Hernandez – The Double Sense of Animated
- Pamela Turner – Early Connections Between Film and Emer
- Tom Klein – Animated Appeal
- Volume 1
- Volume 11
Category Archives: Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
Reality is what we take to be true. What we take true is what we believe. What we believe is based upon our perceptions. What we perceive depends upon what we look for. What we look for depends upon what … Continue reading