Category Archives: Nea Ehrlich – Animated Documentaries as Masking

Nea Ehrlich – Animated Documentaries as Masking




When Exposure and Disguise Converge Since the 1990s there has been a rise in the use of documentary materials in film and visual arts, most commonly referred to as “The Documentary Turn” (Nash, 2004). The complexity of what defines realities … Continue reading

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