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- Volume 13
- Pedro Serrazina – Narrative Space: From Ozu to Paul Driessen and Raimund Krumme
- Paritosh Singh – Animating Indianness: A study of assimilating Indian images in a western narrative
- Rachel Walls – Waterline: A documentation of process & interdisciplinary collaboration between tranSTURM and blackhole-factory
- Leila Honari – Reflecting on Proto-Animation Techniques in the Mandalic Forms of Persian Traditional Arts
- Volume 12
- Tariq Alrimawi – Uses of Arabic Calligraphy in Religious Animated Films
- Rose Bond – Poetics and Public Projection: Layered History, Redrawn Memory
- João Paulo Amaral Schlittler – Animation as a Transmedia Interface
- Lienors Torre – Persona, Celebrity, and the Animated Object
- Cátia Peres – Out of Gravity: Physics in animation and in the films of Hayao Miyazaki
- Maureen Furniss Award 2017
- Volume 11
- Peter Moyes & Louise Harvey – She’s Not There: When New Illusions Meet Ol’ Time RealTtime; Mo-cap, Virtuality and Live Music Performance
- Ellen Rocha – Beyond Materiality in Animation: Sensuous Perception and Touch in the Tactile Existence of "Would a Heart Die?"
- Jacqueline Ristola – Recreating Reality: Waltz With Bashir, Persepolis, and the Documentary Genre
- Dirk de Bruyn – Re-processing The Mystical Rose
- James Frost – Jan Švankmajer: Film as Puppet Theatre
- Andi Spark – Pursuing the Animatrix: Musings on Defining a Term to Describe Woman-Centered Animation
- Karen Kriss – Tactility and the Changing Close-up
- Timothy Jones – Rhythm to Reliance: The Globalized Discourse of Indian Animation
- Sophie Mobbs – Intimate Scrutiny: Using Rotoscoping to Unravel the Auteur-Animator Beneath the Theory
- Alan Cholodenko – The Expanding Universe of Animation (Studies)
- Cinzia Bottini – The Orchestration of Emotions in Jerzy Kucia’s Animation
- Rachel Walls – Abstract Inclusion
- Pedro Serrazina – Spatial constructions: A practitioner’s view of animated space
- Jane Batkin – Rethinking the Rabbit: Revolution, Identity and Connection in Looney Tunes
- Volume 10
- Alan Cholodenko – The Animator as Artist, The Artist as Animator
- Kay Kane – Animation as Conservation: Classical Values in Contemporary Practice
- João Paulo Amaral Schlittler – Motion Graphics and Animation
- Beatriz Herráiz Zornoza – Dot: Animation in theatre for children
- Samantha Haggart – Nature and Technological Innovation in the Films of Iurii Norshtein
- Terence Dobson – Norman McLaren Beyond 100
- Nichola Dobson – Dancing to rhythm of the music: Norman McLaren, the body and performance
- Volume 9
- Victoria Grace Walden – Animation: Textual Difference and the Materiality of Holocaust Memory
- Alison Loader – Re:Animating Moths
- Raz Greenberg – Animating, Ani-Morphing and Un-ani-morphing of the Evolutionary Process in Carl Sagan’s Cosmos
- Daisuke Akimoto – A Pig, the State, and War: Porco Rosso
- Steve Fore – Waliczky in Wonderland: The Adventures of Tom Tomiczky in the Realm of Machinic Vision and Bodily Engagement
- Chris Carter – Digital Beings: An Opportunity for Australian Visual Effects
- Kirsten Thompson – "Quick–Like a Bunny!" The Ink and Paint Machine, Female Labor and Color Production
- Volume 8
- Dietmar Meinel – "Space: The Final Fun‐tier” – Returning Home to the Frontier in Pixar’s WALL‐E
- Brad Yarhouse – Animation in the street: The seductive silence of Blu
- Heather L. Holian – Art, Animation and the Collaborative Process
- Jane Shadbolt – Parallel Synchronised Randomness: Stop-motion Animation in Live Action Feature Films
- Volume 7
- Volume 6
- Yen-Jung Chang – Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
- Aimee Mollaghan – "An Experiment in Pure Design:" The Minimalist Aesthetic in the Line Films of Norman McLaren
- Colleen Montgomery – Woody's Roundup and Wall-E's Wunderkammer
- Hannes Rall – Tradigital Mythmaking: New Asian Design Ideas for Animation
- Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
- Maria O’Brien – The Secret of Kells (2009), a film for a post Celtic Tiger Ireland?
- Nea Ehrlich – Animated Documentaries as Masking
- Pierre Floquet – Actors in Sin City’s Animated Fantasy
- Samantha Moore – Animating unique brain states
- Shannon Brownlee – Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
- Sheuo Hui Gan – The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
- Volume 5
- Volume 4
- Volume 3
- Alan Cholodenko – The Spectre in the Screen
- Amy Ratelle – Half-breed Dog, Half-breed Film
- Birgitta Hosea – TV 2.0
- Laura Ivins-Hulley – The Ontology of Performance in Sto
- Lynne Perras – Steadier, happier, and quicker at the wo
- María Lorenzo Hernández – Visions of a Future Past
- Sheuo Hui Gan – The Newly Developed Form of Ganime
- Timo Linsenmaier – Why animation historiography?
- Van Norris – Taking an Appropriate Line
- Animated Dialogues
- Cathryn Vasseleu – The Svankmajer Touch
- Cordelia Brown – Flowerpot Men
- Dan & Lienors Torre – Recording Australian Animatio
- Dirk de Bruyn – Performing a Traumatic Effect
- Katharine Buljan – The Uncanny and the Robot in the Ast
- Matthew Butler & Lucie Joschko – Final Fantasy or T
- Michael Broderick – Superflat Eschatology
- Miriam Harris – How Michaela Pavlatova both incorporate
- Paul Wells – Battlefields for the Undead
- Peter Moyes – Behind the Flash Exterior
- Zhi-Ming Su – Reaching Out to Touch
- Adrian Martin – In the Sand a Line is Drawn
- Alan Cholodenko – (The) Death (of) the Animator, or: th
- Amanda Third & Dirk de Bruyn – An Animated Dialogue
- Andrew Buchanan – Facial Expressions for Empathic Commu
- Volume 2
- Alan Cholodenko – (The) Death (of) the Animator, or: Th
- Caroline Ruddell – Breaking Boundaries
- Gunnar Strøm – The Two Golden Ages of Animated M
- Leslie Bishko – The Uses and Abuses of Cartoon Style in
- Maria Lorenzo Hernandez – The Double Sense of Animated
- Pamela Turner – Early Connections Between Film and Emer
- Tom Klein – Animated Appeal
- Volume 1
- Volume 13
Tag Archives: documentary
Jacqueline Ristola – Recreating Reality: Waltz With Bashir, Persepolis, and the Documentary Genre
Is a digital image consisting of dots and lines and digital information, is it more real? Is a drawn image, talking with real sound, less true? Who can say? Who is to judge? (Ari Folman, 2008) We are practically drowning … Continue reading