Laura Ivins-Hulley – The Ontology of Performance in Stop Animation

Kawamoto’s House of Flame and ┼ávankmajer’s The Fall of the House of Usher Judy clubs Punch with a mallet. Jack the Pumpkin King decides to take Santa’s place one Christmas. Gumby foils the Blockheads’ plans, yet again. In each of these cases, we as the audience focus our attention on the moving figures, finding pleasure […]