The Peer-reviewed Open Access Online Journal for Animation History and Theory – ISSN 1930-1928
In recent years, filmmakers have started to look at Virtual Reality (VR) as a platform for cinematic storytelling (Bucher 2018; Opam 2016; Melnick 2019). When I initially encountered short films for VR and the 360-degrees view, some of my first thoughts were regarding the limitations of the medium. A 360-degree field of view upends many […]
Critical Significance of Historical Research Animation has been practised in Australia from a relatively early stage in the worldwide history of cinematic animation, as evidenced by quite mature examples of cutout animation by cartoonist Harry Julius beginning in 1912. It may therefore seem odd that there is comparatively little written of its history. In America […]