Pedro Serrazina – Narrative Space: From Ozu to Paul Driessen and Raimund Krumme
Halfway through the short film David (Driessen, 1977), the audience faces an empty screen. For over two minutes of the total of nine, we are left to stare at an empty rectangle painted in faded yellow, while David, an invisible character, addresses the audience. Rather than doing what animators love the most (and are taught […]