Tag Archives: theory

Alison Loader – Re:Animating Moths

The Animatic, The Death Drive and The Forest Tent Caterpillar One mid-September morning, Virginia Woolf sat watching a hay-coloured moth flit back and forth across her window, trying to escape into the promise of the warm autumn day. Vibrant despite … Continue reading

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Alan Cholodenko – (The) Death (of) the Animator, or: the Felicity of Felix, Part I

Kingdom of Shadows1 The night of the 4th of July 1896 was a special night for cinema. It was the night that Maxim Gorky attended the screening of the Lumière brothers projections at the Nizhny-Novgorod fair in Russia and wrote … Continue reading

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Amanda Third & Dirk de Bruyn – An Animated Dialogue: Moving Into the Local

The Animated Dialogues 2007 conference was first conceptualised as an event that would bring together scholars working in the field of animation studies in the Australasian region. This first Animated Dialogues conference focused on the areas of texts, industries and … Continue reading

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Alan Cholodenko: Animation (Theory) as the Poematic

A Reply to the Cognitivists This essay has two projects. The first is intrinsic to the very question of what constitutes legitimate scholarly inquiry in the study of film and of animation, marking out something ostensibly especially contentious in and … Continue reading

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Laura Ivins-Hulley – The Ontology of Performance in Stop Animation

Kawamoto’s House of Flame and Švankmajer’s The Fall of the House of Usher Judy clubs Punch with a mallet. Jack the Pumpkin King decides to take Santa’s place one Christmas. Gumby foils the Blockheads’ plans, yet again. In each of … Continue reading

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Timo Linsenmaier – Why animation historiography?

Or: Why the commissar shouldn’t vanish “Truth is strange, stranger than fiction.” William Makepeace Thackeray, The tremendous adventures of Major Gahagan (Thackeray 1921, 1) In spring 2008, a vociferous discussion erupted on the Society for Animation Studies’ mailing list on … Continue reading

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Alan Cholodenko – (The) Death (of) the Animator, or: The Felicity of Felix, Part II

A Difficulty in the Path of Animation Studies2 Before I set out on the work of this paper (Part II) I will briefly reprise Part I to orient the reader. Subtitled ‘Kingdom of Shadows’, Part I argues the singular importance … Continue reading

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