Volume 6, 2011

Contents

Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
by Yen-Jung Chang

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Animated Documentaries as Masking: When Exposure and Disguise Converge
by Nea Ehrlich

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The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
by Sheuo Hui Gan

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Animating unique brain states: The animated documentary and ‘psychorealism’
by Samantha Moore

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Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
by Javad Khajavi

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Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
by Shannon Brownlee

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The Secret of Kells, a film for a post Celtic Tiger Ireland?
by Maria O’Brien

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“An Experiment in Pure Design:” The Minimalist Aesthetic in the Line Films of Norman Mclaren
by Aimee Mollaghan

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Tradigital Mythmaking: New Asian Design Ideas for Animation
by Hannes Rall

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Woody’s Roundup and Wall-E’s Wunderkammer: Technophilia and Nostalgia in Pixar Animation
by Colleen Montgomery

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Actors in Sin City’s Animated Fantasy: Avatars, Aliens, or Cinematic Dead-ends?
by Pierre Floquet

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Complete Volume

PDF The complete volume will become available for download as PDF by the end of the year.

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