Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
by Yen-Jung Chang
Animated Documentaries as Masking: When Exposure and Disguise Converge
by Nea Ehrlich
The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
by Sheuo Hui Gan
Animating unique brain states: The animated documentary and ‘psychorealism’
by Samantha Moore
Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
by Javad Khajavi
Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
by Shannon Brownlee
The Secret of Kells, a film for a post Celtic Tiger Ireland?
by Maria O’Brien
“An Experiment in Pure Design:” The Minimalist Aesthetic in the Line Films of Norman Mclaren
by Aimee Mollaghan
Tradigital Mythmaking: New Asian Design Ideas for Animation
by Hannes Rall
Woody’s Roundup and Wall-E’s Wunderkammer: Technophilia and Nostalgia in Pixar Animation
by Colleen Montgomery
Actors in Sin City’s Animated Fantasy: Avatars, Aliens, or Cinematic Dead-ends?
by Pierre Floquet
The complete volume will become available for download as PDF by the end of the year.