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- Volume 7
- Volume 6
- Yen-Jung Chang – Strategies for a Reduction to 2D Graphical Styles in 3D Computer Graphics with Hybrid Aesthetics
- Aimee Mollaghan – "An Experiment in Pure Design:" The Minimalist Aesthetic in the Line Films of Norman McLaren
- Colleen Montgomery – Woody's Roundup and Wall-E's Wunderkammer
- Hannes Rall – Tradigital Mythmaking: New Asian Design Ideas for Animation
- Javad Khajavi – Decoding the Real: A Multimodal Social Semiotic Analysis of Reality in Animated Documentary
- Maria O’Brien – The Secret of Kells (2009), a film for a post Celtic Tiger Ireland?
- Nea Ehrlich – Animated Documentaries as Masking
- Pierre Floquet – Actors in Sin City’s Animated Fantasy
- Samantha Moore – Animating unique brain states
- Shannon Brownlee – Masculinity Between Animation and Live Action, or, SpongeBob v. Hasselhoff
- Sheuo Hui Gan – The Transformation of the Teenage Image in Oshii Mamoru’s The Sky Crawlers
- Volume 5
- Volume 4
- Volume 3
- Alan Cholodenko – The Spectre in the Screen
- Amy Ratelle – Half-breed Dog, Half-breed Film
- Birgitta Hosea – TV 2.0
- Laura Ivins-Hulley – The Ontology of Performance in Sto
- Lynne Perras – Steadier, happier, and quicker at the wo
- María Lorenzo Hernández – Visions of a Future Past
- Sheuo Hui Gan – The Newly Developed Form of Ganime
- Timo Linsenmaier – Why animation historiography?
- Van Norris – Taking an Appropriate Line
- Animated Dialogues
- Cathryn Vasseleu – The Svankmajer Touch
- Cordelia Brown – Flowerpot Men
- Dan & Lienors Torre – Recording Australian Animatio
- Dirk de Bruyn – Performing a Traumatic Effect
- Katharine Buljan – The Uncanny and the Robot in the Ast
- Matthew Butler & Lucie Joschko – Final Fantasy or T
- Michael Broderick – Superflat Eschatology
- Miriam Harris – How Michaela Pavlatova both incorporate
- Paul Wells – Battlefields for the Undead
- Peter Moyes – Behind the Flash Exterior
- Zhi-Ming Su – Reaching Out to Touch
- Adrian Martin – In the Sand a Line is Drawn
- Alan Cholodenko – (The) Death (of) the Animator, or: th
- Amanda Third & Dirk de Bruyn – An Animated Dialogue
- Andrew Buchanan – Facial Expressions for Empathic Commu
- Volume 2
- Alan Cholodenko – (The) Death (of) the Animator, or: Th
- Caroline Ruddell – Breaking Boundaries
- Gunnar Strøm – The Two Golden Ages of Animated M
- Leslie Bishko – The Uses and Abuses of Cartoon Style in
- Maria Lorenzo Hernandez – The Double Sense of Animated
- Pamela Turner – Early Connections Between Film and Emer
- Tom Klein – Animated Appeal
- Volume 1
Category Archives: Amy Ratelle – Half-breed Dog, Half-breed Film
Amy Ratelle – Half-breed Dog, Half-breed Film: Balto as Animelodrama
Linda Willams (1998) defines melodrama as “a peculiarly democratic and American form that seeks dramatic revelation of moral and emotional truths through a dialectic of pathos and action” (p. 42). This emphasis on moral and emotional truth, as opposed to … Continue reading
Posted in Amy Ratelle - Half-breed Dog, Half-breed Film
Tagged Balto, genre, melodrama, tale
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